To understand Hedda, I went down these rabbit holes and learned all about these socialites, these European socialites and ...

More stories b That second call officially brought Fisk on Marty Supreme and began a journey that would take him deep into ...

You have to pick up a lot of skills and expertise as a production designer, given the wild and varied worlds you might be asked to craft, but for “Hedda,” the new adaptation of “Hedda Gabler” by ...

The production designer talks about how working with director Josh Safdie brought him back to his roots starting out with ...

The Oscar-nominated pro also reveals what set design she couldn’t quite figure out at first. By Rebecca Keegan Senior Editor, Film “It’s not all Brutalism,” reads the bio line on production designer ...

Building the ER on a 24,000 square foot space, Ruscio always wanted to stay as accurate as possible so the audience would stay immersed in the story. By Beatrice Verhoeven Awards Editor Nina Ruscio, ...

“Wicked,” “Dune: Part 2,” “Conclave,” “Beetlejuice Beetlejuice,” “Emilia Pérez,” “Nosferatu” and “The Brutalist” were among the film nominees for the 29th Annual Excellence in Production Design Awards ...

You might expect that a man who has been doing production and set design on feature films for more than 30 years would be a ...

Oscars Best Production Design Commentary (Updated Jan. 9, 2026): Best production design has emerged as one of the more stable technical races of the season, but is it really? The Art Directors Guild ...

Liam Gaughan is a film and TV writer at Collider. He has been writing film reviews and news coverage for ten years. Between relentlessly adding new titles to his watchlist and attending as many ...