Compression algorithms for speech, audio, still images, and video are quite complicated and, more importantly, nearly always lossy. Thus, samples often change dramatically once they’re decompressed.

Last year, version 1.2 was published, extending the feature set to include the 4:2:0 and 4:2:2, YC b C r formats commonly seen in digital television, and the group continues to develop and extend ...

Broadcasters have a range of choices when it comes to signal compression solutions. For advanced, professional-grade compression, MPEG-2, H.264 and JPEG 2000 are all viable options. Ultimately, ...