When watching TV or movies, smooth, steady shots are something some take for granted. They somehow move quickly across the floor without any bumps or a sense of vertigo. As it turns out, viewers can ...

This smooth operator is the man behind many an Oscar-winning film's most memorable scenes. This morning he levels with our Michelle Miller: Sylvester Stallone had the muscle ... but some of the best ...

Replay: 3-axis gimbals revolutionised the idea of getting stable shots without any lengthy Steadicam training, but there's a couple of rather sizeable elephants in the room, the need for five axes and ...

It's humbling, and in fact almost a little scary, when you realize just how far the video quality of mobile phones and pocket camcorders has progressed over the past few years. While features such as ...

With accessibility of ever-cheaper gimbals easier than ever, is the venerable Steadicam still relevant for camera movement? Anybody who has tried to use a Steadicam will know how difficult they are to ...

Large, broadcast-quality video cameras may be a lot harder to lug around than camera-equipped smartphones, but that larger size also offers a benefit – because they're so much heavier, they pack more ...

You know all those lame old camera stabilizers for the iPhone, the ones that promise you "steadicam" shooting? Well, you can forget them. Tiffen, the people who make ...

Nothing beats a Steadicam for capturing smooth video, but the commercially-available models can run for hundreds or thousands of dollars. But if you're willing to do a little work, you can build your ...

Starting off as a spotty youth who worked in Currys, he moved to the BBC (after getting a degree) where he was an editorial wrangler. A stint writing for Top Gear and co-presenting Sky One's Gadget ...

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